Customise Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorised as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyse the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customised advertisements based on the pages you visited previously and to analyse the effectiveness of the ad campaigns.

No cookies to display.

Party Like It’s 2009: The Playlist


Listen on Spotify, Apple Music or YouTube

Speaking of Auto-Tune, this proudly synthetic debut single from the R&B singer Jason Derulo doubles down on vocal effects, prominently sampling Imogen Heap’s 2005 pitch-shifted a cappella tune “Hide and Seek” and heavily processing Derulo’s own voice to match hers. For better or worse, few songs recall the retrofuturistic sound of 2009 more evocatively than this one!

Listen on Spotify, Apple Music or YouTube

Another defining indie release of 2009 came from the London trio the xx. Romy Madley Croft’s hushed vocals lent the trio’s self-titled debut its distinct cool, though this wordless opening track remains the most potent distillation of the band’s vibe.

Listen on Spotify, Apple Music or YouTube

On its immaculately atmospheric third album, “Veckatimest,” the Brooklyn band Grizzly Bear mixed tight four-part vocal harmonies with more outré post-rock experimentation, punctuated by blurts of Daniel Rossen’s expressive guitar playing. The bright, catchy “Two Weeks” is the most recognizable song from the album, but this slow, creeping number is just as haunting.

Listen on Spotify, Apple Music or YouTube

Yet another unexpected Knowles family favorite, this soulful centerpiece from the Brooklyn group Dirty Projectors’ art-rock opus “Bitte Orca” features a sparse, stuttering groove and an impassioned vocal from the singer-songwriter Amber Coffman, who has since begun a solo career. It is also perhaps the unlikeliest entry on the soundtrack of the video game NBA 2K13.

Listen on Spotify, Apple Music or YouTube

Finally, I would be remiss if I did not mention this enduring 2009 smash — a profoundly wholesome, universally relatable ode to the superpowers bestowed by a favorite song — which a small portion of the population probably believes is the national anthem. I count myself among them.

Listen on Spotify, Apple Music or YouTube




Source link

Show Comments (0) Hide Comments (0)
Leave a comment

Your email address will not be published. Required fields are marked *